Tag: mamamoo

Favourite Music of 2018

Last year I wrote about eleven new songs that I had fallen for. This year, this post is a little late coming because I wasn’t too sure whether I had much to write about. I listen to music every day, but unlike film, I don’t always actively keep on top of it. New albums and songs pass me by quite often. Years go by and I’ll still be discovering what is relatively old music by my favourite artists.

As such, it hasn’t been a particularly fresh year for me, music-wise. At least not yet. I have listened to more music in 2018 than I did in any of the previous five years, but I have only five new songs that I would like to share. Nonetheless, like my film list, I wanted to try and make my music favourites a yearly occurrence, whether I have many or not.

I find myself gravitating heavily toward alternative and indie artists these days, and I always have a love for an infusion of electronic sounds. Though I am rarely inimical to any genre. I hope you’ll find these choices worthwhile, whether they’re to your tastes or not.

Girl of the Year by Allie X (YouTube)184

Allie X is one of the few artists I do keep up with, and one I’m happy to say I discovered very early on, upon the release of her X extended-play in 2014. I’ve listened to her every year since, and find she always puts out an impressive collective, charged with rousing vocals amid an exhilarating medley of electropop and indie sounds.

I found the introduction and interlude a little obscure, but the rest of the material on Allie’s fourth extended-play Super Sunset fully exhibits her talent. That said, the absolute stand-out for me is Girl of the Year, a stupendously catchy song which I find difficult to play at any other volumes besides maximum.

The song’s energy is similar perhaps to something like Prime, but the lyrics aren’t as upbeat. I love the variance between the tuneful beat and the plaintive verses. As much as I love Allie the singer, I love Allie the songwriter. I still wish for a full-length album.

Favourite Verse
There’s a hollow inside you
And it won’t disappear
Oh no, baby the way we work
We’ve got about a year

All Girls Are the Same by Juice WRLD (YouTube)185

I am very fond of a couple of rap and hip hop artists, but it isn’t typically my most studious genre. That said, I discovered Juice WRLD on a complete whim through his song Legends and instantly fell in love with the combined rhythm and emotion. Like Girl of the Year (though very different musically) it is at once catchy and melancholic.

Legends, from the extended-play Too Soon, which was dedicated to Lil Peep and XXXTentacion, remains my most played song by the rapper, but I slowly found myself growing more fond of All Girls Are the Same from his debut album Goodbye and Good Riddance, largely because of the lyric content.

Of the album, Juice WRLD stated that he was “trying to make music to help people through their situations and tell them about some of my own,” and revealed that the content was all genuine. I think he achieved this tremendously. There’s a lot of affinity I find with this song and I think, when a piece effects you to such a degree, it is surely worthy of note. The rapper explicates his mindset in such a fluent and ingenious way that, when listening through the album, I often go back just to hear this one song again.

Favourite Verse
All this jealousy and agony that I sit in
I’m a jealous boy, really feel like John Lennon
I just want real love, guess it’s been a minute
Pissed off from the way that I don’t fit in

The Death of Me by Meg Myers (YouTube)186

Like Allie X, I discovered Meg Myers around the time of her debut, the Daughter in the Choir extended-play. Curbstomp and Monster were my favourites for a long time, and then came Desire, Make a Shadow, and Heart Heart Head. It took me a little while to warm to The Death of Me from her second album, but eventually I fell for it so entirely.

I adore the harmony between Meg’s enchanting intensity and the depth of Christian Langdon’s voice, whom she duets with. There’s a brilliant melody in the contrast, which reminded me of some tracks by Angelzoom (the solo project of Claudia Uhle) on their self-titled debut album. I’d love to see this song performed live. I sense it’s one of those pieces that would thoroughly capture and entwine you in the excellence of it all.

There is tremendous work on Meg’s sophomore album, Take Me to the Disco. It’s infused with many musical influences, moulded heavily by the singers own experiences, which are conveyed expertly through her stunning range and powerful lyricism. Little Black Death, Numb, and Tear Me to Pieces were other stand-outs, the latter of which displays the breathtaking vehemence of her voice.

Favourite Verse
I never had it bad like this before
I gained a couple of battle scars
But I never thought I’d be losing this war
Surrender doesn’t cut it like it did before

Risk by Metric (YouTube)187

My 2018 was largely dominated by two bands, Metric being one of them. I had loved their fifth album Synthetica (released in 2012), but never quite dived into the rest of their discography. When I finally did last year, there was a wealth of plunder awaiting me. Their entire catalogue is utterly brilliant, furnished with alluring sounds and dreamy lyricism.

Metric would likely make it into my all-time favourites at this point. They have a dynamic sound — each album very distinct — yet they are wondrously consistent in the quality of their music, perhaps owing to the fact the band members themselves have been together far beyond a decade. Their talent and camaraderie shines absolutely.

Risk was my favourite from their latest release, Art of Doubt. The heavenly voice of Emily Haines is, as ever, ravishing, complemented seamlessly by the instrumentals. Yet it is the songwriting (a combined band effort, simply credited to Metric) that utterly enraptures me. I find the chorus so beautiful and so haunting. That the band are still producing stand-out tracks amongst a discography already so profound is something magnificent.

Favourite Verse
Can I send this kiss right to you now?
‘Cause the risk belongs with you somehow
Can I return this kiss that you gave?
Already know it’s borrowed anyway

Paint Me by MAMAMOO (YouTube)188

MAMAMOO were my most played artists of last year. When it comes to Korean music, I am familiar with most groups and singers, though I seldom venture from the comfy genius of this heavenly four-piece, comprised of Solar, Moonbyul, Wheein, and Hwasa (a relatively low member count for a Korean troupe).

The girl group are known for their powerful vocals, as well as their jazz and rhythm and blues influences. They put out no less than three extended-plays in 2018, each part of their ‘Four Seasons’ project, where each member has a mini-album which represents both them and a season of the year. My favourite song, Paint Me, is from their first ‘Four Season’ mini-album, Yellow Flower, which represents the youngest member, Hwasa. I actually loved this album so immediately, that I wrote about it earlier in the year.

I know Paint Me will be a controversial choice, not only within K-pop circles, but also among MAMAMOO fans. Let it be known that I adore Starry Night, Egotistic, Sleep in the Car, and No More Drama, but I find Paint Me thoroughly enrapturing. The song, which commenced their ‘Four Seasons’ enterprise, is an intoxicating ballad that swells in magnificence, and displays the undeniable energy and robustness possessed by each of the four vocalists. It’s strong in emotion and intensity and I love it.

Favourite Verse
Yellow, when you suddenly came to me
Before I knew, my heart was full
Of warmth that resembled spring
So naturally

by Cosmoflips

Mamamoo’s Yellow Flower

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I need to talk about Mamamoo’s new mini-album Yellow Flower. Isn’t it just wonderful? I’ve loved these beagles for a little over a year now, and while I was rather late to the club (they debuted almost four years ago), they’ve been a constant presence among my most played, and I can barely go a day without listening to their music.

If you don’t know about them — they’re a four-piece girl group from South Korea, comprised of Solar, Moonbyul, Wheein, and Hwasa. They have a distinctive funk/r&b/pop vibe, but their latest album (and particularly the song Starry Night) takes inspiration from what they call ‘chill house,’ and has a Spring concept Hwasa describes as ‘yellow mellow.’ They are known for their strong vocals and energetic stage presence, and it was initially their charisma and playfulness on Korean variety shows that drew me towards them.

Yellow Flower is their sixth extended play (or mini-album) since their debut, and they plan to release another three to represent all of the seasons, and in turn all of the members (Yellow Flower is Hwasa’s record). It’s probably my most favourite release from them thus far, and has a delectable assortment of tracks. The lead song is Starry Night, but the first track to be unveiled was Paint Me.

Paint Me is a powerful vocal piece and is quite prominent among fans as one of few tracks in which Moonbyul displays her singing talent (she is usually the rapper of the group). It was great as a single, but I think it fits even better as the closing song of the album. I’m certainly no music scholar and cannot elaborate on the composition or components of the piece to any fine degree, but the song just works for me.

I was listening to it whilst on the train the other day, watching the world go by, and it took me back to those youthful days where I would stay up all night and listen to music in the dark. Some tracks seemed to take on a new degree of emotion in the depths of the night — with no sight and no external noise or activity, it was just me and the music.

That day on the train — me and the empty carriage, sullen winter fields passing by — with Paint Me as the soundtrack, it really felt like a moment. I was hit by this astonishing sensation, which is difficult to adequately express. It was as though my mind had, for a moment, cleansed itself and I tapped into a perspective more serene and wholesome than usual. I guess I felt inspired, to put it simply. When a three and a half minute song can make even one person feel such a way… that’s just masterful.

Starry Night has gone on to be the most successful song from the album, which is, in itself, a stunning track that I feel diverges fantastically from more conventional Korean popular music, but I certainly felt more emotional resonance and depth with Paint Me. Even then, there’s so much more to the album. Star Wind Flower Sun is a passionate ballad in which all the members absolutely shine, and Hwasa’s solo track Be Calm is a soothing piece that displays well her remarkable vocals. Then there is Rude Boy and Spring Fever which, while not my favourites, are still excellent songs that I would be silly to skip. Even the twenty second outtake From Winter to Spring, which serves as the album opener, has so much charm.

Yellow Flower may be their sixth extended play, alongside one full album, but I feel as though Mamamoo still have a wealth of fresh concepts and sounds ready to divulge. There is seemingly no end to their layers, and I can’t wait for everything that follows.

by Cosmoflips